Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of 'curating as practice'. Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine.

On the Greek island of Patmos, where St. John received the Book of Revelation, two writers find themselves mired in an uneasy sense of timelessness, where history and the present jumble together. As they hunt for a lost portrait of the iconic gay novelist Herve Guibert, they discover that the island's insistent isolation from the global catastrophe surrounding it, from the refugees interned on nearby Samos to the fascist rise in Europe and the United States, is more pose than reality.

In Andrew Durbin's Mature Themes, texts flow in and out of media realities and consciousness like images on a Tumblr dashboard. He assays the controversies and topologies of public lives mired in sex, secrecy, and fame, where celebrity subjects and anonymous speakers bleed into one another, sharing the dreamy, often darkly funny space of a Hollywood. These poems pursue the other, secret realities that lurk in a pressurized empire, an earth, on the verge of collapse.

The complete art world story/essays of the fictional Madame Realism, collected for the first time. The Complete Madame Realism and Other Stories gathers together Lynne Tillman's groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern "Madame Realism." Through her use of a fictional character, Tillman devised a new genre of writing that melded fiction and theory, sensation, and critical thought, disseminating her third-person art writer's observations in such magazines as Art in America and in a variety of art exhibition catalogs and artist books. Two decades after the original publication of these texts, her approach to investigation through embodied thought has been wholly absorbed by a new generation of artists and writers. Provocative and wholly pleasurable, Tillman's stories/essays dissect the mundane with alarming precision. As Lydia Davis wrote of her work, "Our assumptions shift. The every day becomes strange, paradox is embraced, and the unexpected is always around the corner." This new collection also includes the complete stories of Tillman's other persona, the quixotic author Paige Turner (whose investigation of the language of love overshoots any actual experience of it), and additional stories and essays that address figures such as the "Translation Artist" and Cindy Sherman.

After Hurricane Sandy, Nick Fowler, a writer, stranded alone in a Manhattan apartment without power, begins to contemplate disaster. Months later, at an artist residency in upstate New York, Nick finds his subject in disaster itself and the communities shaped by it, where crisis animates both hope and denial, unacknowledged pasts and potential futures. As he travels to Los Angeles and London on assignment, Nick discovers that outsiders-their lives and histories disturbed by sex, loss, and bad weather-are often better understood by what they have hidden from the world than what they have revealed.